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Audacious mental models

Color-coding empathy so we can use it more intentionally

(6 min read)

The world comes into our consciousness in the form of a map already drawn, a story already told, a hypothesis, a construction of our own making. We perceive only the sensations we are programmed to receive, and our awareness is further restricted by the fact that we recognize only those for which we have mental maps or categories.

— Roz and Ben Zander, The Art of Possibility

 

Transforming intangibles into tangibles

Empathic Colormapping as a developing theory, is an audacious attempt to put some symbolism around what exactly empathy in communication looks like.

And the minute we start to explore intangible territories dealing with abstractions like, for example, empathy — and especially empathy manifested through disembodied mediums — it becomes clear that we need some memorable frameworks if we’re going to form any kind of useful frame of reference or mental model.

Empathic colormapping is behind the metaphorical concepts of frequency, resonance and nuance.

A theory comprised of many mental models

Empathic colormapping (a term I coined in order to give this particular form of data visualized communication) is informed by a growing body of mental models and data derived from systems thinking, behavioral psychology, information design, and more.

But most of all this theory has evolved from observing next-level communicators and the ways they show up to engage with avidly engaged audiences.

Making your entire being hum in recognition

The theory encompasses the concept of frequency — sending out certain frequencies — as well as resonance and nuance — depicted in the fairy tale about Frequency that is resonating with more and more people.

We’re not even close to talking about nuance (all the intangible ways we might communicate complex ideas across multiple channels to diverse audiences).

But resonance — the way that someone in a completely separate geographical location to you, can sing or say or write things that make your entire being hum in recognition — that’s the audacious territory we’re going into.

When Frequency dances with Resonance and Nuance, magic happens

There are a great many case studies in development, that can begin to demonstrate and test the application of this theory, this evolving mental model. But in this article we’re going to touch on a basic overview of the nine primary elements of empathic communication.

Ten core human desires a touchpoint for empathy

The overview also touches on the “ten desires that drive us” theory expounded by social psychologist Hugh Mackay (mentioned in a previous Medium article, “Engaging the Grey Matter,” in this Frequency series) and proposes which core desires each element might spark and speak to.

As a quick refresher, those ten core desires (these are proposed core desires beyond our physiological needs) are the following:

  1. The desire to be taken seriously
  2. The desire for ‘my place’
  3. The desire for something to believe in
  4. The desire to connect
  5. The desire to be useful
  6. The desire to belong
  7. The desire for more
  8. The desire for control
  9. The desire for something to happen
  10. The desire for love

Highlighting these core desires might begin to explain why, when genuinely caring teachers, mentors, communicators bother to show up, we resonate so strongly on their frequencies.

Nine primary elements of empathic communication

It’s a new theory. An evolving mental model. It’s medium-gnostic. It’s a work in progress. This is the latest iteration, from the lab, tested on a few dozen peers and mentors and presented from the reader/viewer/listener’s perspective:

Empathic connection 01: Say something remarkable

Grab my attention with something worthy of remark.

Speaks to my core desire: for something to happen; for more

Remarkable: Purple

Empathic connection 02: Say something reliable

Earn my trust with your credibility markers and experience.

Speaks to my core desire: for something to believe in; to be taken seriously

Reliable: Brown

Empathic connection 03: Say something relatable

Capture my emotions with your personal origin story, lows and highs.

Speaks to my core desire: to connect

Relatable: Dark green

Empathic connection 04: Say something memorable

Hold my interest with your stories, anecdotes, analogies and metaphors.

Speaks to my core desire: to connect; to belong; for something to happen

Memorable: Light green

Empathic connection 05: Say something motivational

Engage me directly with your affirmations and personal pronouns.

Speaks to my core desire: to be taken seriously; for ‘my place’; for something to believe in; to connect

Motivational: Orange

Empathic connection 06: Say something meaningful

Transform my perspective with a synthesis of your findings.

Speaks to my core desire: for something to believe in

Meaningful: Yellow

Empathic connection 07: Say something proactive

Reward my investment (of time, attention, resource) with actionables.

Speaks to my core desire: for more; for control; to be useful

Proactive: Red

Empathic connection 08: Say something personable

Draw the circle bigger with inclusive language.

Speaks to my core desire: to belong; to connect; for love

Personable: Blue

Empathic connection 09: Say something playful

Introduce delight by using humor and novelty and multi-sensory input.

Speaks to my core desire: for something to happen

Playful: Pink

Combining empathic signals adds resonance

So this is a start to trying to break down a little bit behind this visualizing-empathy theory. I began developing this theory within big-idea nonfiction books, but since those are much longer-form reading, I’ve begun introducing the concepts through this lens of a TED talk.

Case study: Data viz of Shonda Rhimes’ 18 minute, 44 second TED talk.

 

“It’s all about the hum” case study: Data viz of Shonda Rhimes’ 18 minute, 44 second TED talk

Extrapolating the theory

The evolving theory involves the audacious question as to whether it was possible to build out a mental map that was truly medium-gnostic. Clearly, there would be special considerations for each platform. But when it comes to connecting — really connecting, engaging, learning to write or speak or sketch or audio-visually communicate words and ideas that resonate — might there be an overarching model for doing that effectively?

For creative allies

We’ll explore it more! Whether you’re a communicator or a reader, you might think about whether any of the signals —remarkable, reliable, relatable, memorable, motivational, meaningful, proactive, personable, playful — remind you of your favorite big-idea books, blogs, TED talks, events, workshops, or other informative and educational and entertaining types of communication.

I’d love to hear if this sparks anything in you, if it lights up your brain in any particular ways. And I can’t wait to share with you a visual case study of someone who’s been deeply embedded in working with resonant frequencies and colors that help to map light-up-your-brain communication.

(This is part nine in a twenty part introductory series exploring the intersection of frequency, resonance and nuance, first published on Medium.)

Frequency: a fairy tale

Whale tale

Frequency fairytale title page

(3 min read)

Once upon a time lived a cetacean.

Cetacean-swimming(That’s just a fancy name for any kind of warm-blooded, ocean-roaming mammal.)

There was something unique about this cetacean.
And it wasn’t its size.
And it wasn’t its color.
Cetacean-roaming
This cetacean sang its song on a unique central frequency.
Fifty-two hertz, to be precise — just a smidge higher than the lowest note on a tuba.

Cetacean-sending-signalsIn fact, its frequency was so particular, and so unique…
that
in
all
its
long
life
roaming
the
oceans
of
the
world,
and
despite
all
the
noise
heard
in this
vast
and
teeming
environment…

Singing into the voide
…it had never experienced any particularly meaningful response to its song.

Meet the odditiesThen, one day, this cetacean had a chance encounter with a couple of oddities.
They seemed to be very far from home, but one of them — the bearded lady — surprised it by speaking.
“We heard your unique song, and wondered if we might offer you something?”

Whales are bigger than odditiesThe cetacean eyed these oddities.
“What could you possibly have to offer to someone like me?”

Bearded lady speaks upThe bearded lady wasted no time.
“If your song is frequency, you might like to think of ours as resonance and nuance…”
“And if you’ll be so kind as to sing your song again, we’ll show what we can do.”

The whale glided slowly on its way, and felt rather than saw the bearded lady and her companion flank it on either side.
It hummed its familiar, lonely tune.
It was a timeless lament, that had punctuated all the difficult spaces and places it had ever been, in its search for a larger sense of purpose, significance, belonging.
It was a frequency that spoke fathomless voids…
and also visions of beauty and transformation…
forever out of reach beyond vast and solitary wastes.

Singing of solitary wastesThe bearded lady began, at first imperceptibly.
It weaved its resonance through the cetacean’s melody, in echoes that reverberated through cetacean’s being with an ache of recognition and longing…
and
with
a
kind
of
magic
that
pushed
cetacean’s
song
out
into
the
void
in
new
directions.

Amplifying the resonance
The other oddity soon followed, layering its nuance above and below and throughout the cetacean’s song,
adding light
and sweetness
and joy
and appeal
that brightened and extended the enchantment of the song.

Nuance adds light and appealAnd
then…
the cetacean completely forgot the oddities…
for
something
quite
remarkable
had
begun.

Response to the amplified resonance
(This fable is part one in a twenty part introductory series exploring the intersection of frequency, resonance and nuance.)

 

This story by Anaik Alcasas first appeared on Medium.